Written By Fred Farai Nyakudanga "I've got a recording contract!" Those words echoed in my mind as I left the recording company with a spring in my step. But for many young musicians in Zimbabwe, this is a distant dream. The reality is harsh: self-sponsorship has become the norm, and creativity is paying the price. The demise of recording companies like Gramma, ZMC, and RTP has left musicians to fray. With piracy and economic woes to blame, artists now foot the bill for recording and marketing. This shift has severe implications for creativity. In a healthy music industry, recording companies guide artists, shaping their sound and message. They invest in talent, allowing artists to focus on their craft. Not anymore. Now, musicians rush to record, driven by budget constraints rather than artistic vision. Producers prioritize profit over quality, and artists are left to fill beats with hasty lyrics. The result? A homogenized sound that stifles innovation. Established art...
Written by Fred Farai Nyakudanga A comparison of the two documents reveals discrepancies in the Memorandum and Articles of Association. The document on the left, purporting to be an amendment, lacks registration stamps, casting doubt on its legitimacy. In contrast, the document on the right, sourced from the Companies Zimura file and dated 27 September 2025, appears to be a genuine record. The origin of the unregistered document is questionable, raising concerns about potential forgery or tampering. The tempered one is the one our board members were given in the so called induction. The Zimbabwe Music Rights Association (ZIMURA) was established under the Copyright and Neighbouring Rights Act to uplift music composers and other creatives. However, the association has been plagued by deliberate chaos, particularly after Gil Atkinson's departure. The employees, fighting for their survival, have prioritized their interests over those of the members, engaging in alleged falsific...