Written by : Fred Farai Nyakudanga FFF
In the agricultural sector, farmers take great care to raise
their cattle, providing fences, nutritious feed, and veterinary care to ensure
healthy and valuable animals. The government supports these efforts through
regulations, disease management, and infrastructure development. The goal is to
produce high-quality beef and dairy products for local consumption and export.
In contrast, Zimbabwe’s artists are like stray cattle,
lacking protection, regulation, and support. Despite their significant
contribution to the economy, they operate in a Wild West-like environment, with
no boundaries or guidelines. The industry’s lack of regulation leads to
unfiltered content, often vulgar and harmful to society.
From infrastructure to copyright protection, artists are
left to fend for themselves. There are a few notable exceptions, such as the
Oliver Mtukudzi’s Pakare Paye project, which has achieved remarkable success. A
handful of musicians have emerged from this initiative, and if the government
had replicated this model, countless more artists would be vying for airplay.
The government has a plethora of initiatives under its
purview, including the recently proposed national dress. This project has the
potential to generate significant revenue through manufacturing, marketing, and
awareness campaigns. At every stage, artists can play a vital role, leveraging
their creative talents to reap financial benefits.
By promoting the national dress project, we can reduce our reliance on imported clothing labels that benefit foreign countries, rather than our own. This shift could significantly reduce the outflow of foreign currency and redirect it towards our local artists, potentially transforming their livelihoods. By supporting our own creative industry, we can retain wealth within our borders and empower our artists to contribute meaningfully to our economy.
Leaving artists to create and sell their personal messages
without support or guidance is akin to abandoning them, despite the fact that
society is the ultimate beneficiary of their work. When artists are left to
push their own narratives without regulation or oversight, it can lead to
misinformation and misguided messages that impact society as a whole.
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